There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. Condition Report: Five areas of repair to the bellows, two leather patch repairs, three tape repairs. London no. London’, with key. Glas vom Jugendstil bis heute , Cologne ; Hartmann, C. Glasmarken Lexikon , Arnoldsche ; Ricke, H.
Hi, folks! Very good for starting but also for professionals. My e-mail is elesan89 yahoo. They are. It would be a problem if it had to be imported.
Concertina makers, so the english concertina is one dating to say,. Some notes on concertina connection rochelle. Some notes on lachenal concertinas is one of.
Search the FAQ Archives. View all headers. Path: cs. User Contributions:. Comment about this article, ask questions, or add new information about this topic: Name:. E-mail: Show my email publicly. Human Verification:. Public Comment: characters.
New Instrument Lines All models available to order. Why buy from The Button Box? Warranty and returns policy Warranty and returns policy. Black celluloid finish, white plastic buttons, riveted action, 7-fold bellows.
Dating lachenal concertinas. More than, Red Book entries during this arrangement frequently gives Louis Lachenal,his early as concertinas is as for serial.
Established Call us: 1 Email: stoney stoneyend. Fretted and Stringed Instrument Products. Other Fretted Instruments. Show All Frets Strings Fretted and Stringed Instrument New Lines.
Resources in the Concertina Library for dating vintage concertinas. Do you know another resource that we should include? Tell us about it. Earlier ledgers from the Wayne Archives contain company sales records from the late s to the s along with production records from the s to the s and some early records of wages and other payments. Later ledgers from the Dickinson Archives contain production records from to
At the other end is a serial number, I have been told that it is a Lachenal Excelsior, probably dating from It came in its original box, black leather with.
A copy concertinas a complete dating list for Wheatstone Concertinas, compiled by Henry Minting. All numbers from 1 – are covered, with approximate dates of manufacture. There is no hint of its source, but for the period up to it closely resembles a list attributed by Neil Wayne to Henry Minting. As published in Concertina The AustraliaNo. Concertina Pricelists collected by Chris Algar A unique collection of nearly 40 pricelists for vintage concertinas, mostly concertina in old concertina cases.
From internal evidence it is possible to date the Wheatstone pricelists with more or less accuracy, but the Lachenal pricelists and others from dealers still have some uncertainty in dates. Wheatstone English Concertina Pricelists collected by Chris Algar Most of these pricelists were found in english concertina cases.
The donor, Frederick Horniman, included some two hundred musical instruments in the gift of his collection and the Museum building. The Horniman is one of the few UK museums that collects instruments of popular music. In , the Museum acquired a large collection of concertinas, a bellows-blown free reed instrument that was the invention of another illustrious Victorian. Sir Charles Wheatstone was a physicist best known for his work on the electric telegraph, and as an inventor of scientific instruments.
The collection comprised over six hundred free reed instruments, together with an archive that included concertina music, recordings and postcards of famous concertina players. Among the highlights are twelve ledgers from the C.
Lachenal metal-ended English concertina. The English concertina is a member of the concertina family of free-reed musical instruments. Invented in England in.
Wheatstone – Ref: E48W2 An earlier Wheatstone with steel reeds, new 6-fold bellows, sweet sound, very quick, very pretty. Plays as good as any Wheatstone should, just a little more mellow. Lovely clear, sweet sound ideal for song accompaniment. Concertinas for Sale All instruments are available to try at our workshop in Shropshire.
Please come and visit, ask questions, make comparisons and find one that suits you. All our instruments have been restored using the correct parts, and tuned by us. They are ready to play, and will be checked and fine tuned again before sale. Only as makers and repairers, can we offer that guarantee. Click on any image for a larger version.
This would appear to be confirmed by John Crabb having sold the lease of his own house, only a few doors away from the manufactory, on 2nd August Sidney Pratten guitarist, concertinist, teacher, friend of Giulio Regondi, and wife of the flautist R. Sidney Pratten on 9th May , though no price was recorded; Wheatstone was one of a consecutively numbered batch of twelve concertinas so all of one model that were sold to Messrs.
Thus it would appear, at least from these examples, that both Wheatstone and Lachenal instruments were given the same serial numbers, which implies that there were two separate sequences. They list English-system trebles with 22, 24, 32, 40 and 48 keys, key baritones, and key Duets.
In a competitive concertina-manufacturing and selling environment, the Lachenal company produced a range of very fine instruments, including many “student” models. Anglo Lachenals are, as far as I know, all considered “student” grade. They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as nice or as consistent as some other makes mentioned below. These instruments were all made in the UK, so “vintage English” usually refers to a Lachenal, Wheatstone, Jeffries or Crabb, and implies superior compared to the Italian Stagis quality of construction, sound, and playability action.
If you can afford it, one of these vintage concertinas will be a fine instrument on which to learn, and frankly, you might never need to purchase another instrument as long as you live. They had a metal-ended model available for a little more, but since I was already a bit over my budget, I got the wooden-end model. Some people say the wooden-ended models have a mellower sound and so are better for accompaniment if you plan on singing at the same time, but I think this is a very general rule, and probably varies a lot from instrument to instrument.
The type of reeds and layout of the reedpan also affects sound quality considerably see the note below by Rich Morse of The Button Box for more details. Try to get a button though, as a button would be very limiting musically, as you would have only the C and G rows, and no accidentals besides the F of the G scale. Lachenal duet and accompanying brochure , photos courtesy of Kevin Gow kgandll juno.
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
From Wikimedia Commons, the free media repository. File information. Structured data.
Lachenal Duet Concertina 46 key. Condition is Used. Excellent condition. Plays in key. From Barleycorn some years ago and it is still in the same condition as.
Instruments Page. Great Canadian Concertinas 3. The fretwork is not ornamental; it provides the holes from which the sound from the reeds is carried out of the instrument. The inside is covered with thin cloth, to let sound out but- to keep insects, dirt, and worms out. Even a small thread or ash from a cigarette could clog a reed and stop a music session until the cover was taken off and the obstruction removed. In the British Isles worm infestation was a problem.
Louis Lachenal, the father of concert virtuoso player Marie Lachenal above , originally worked for Wheatstone as a tool and die maker and manager, then, about , decided to set up shop himself so starting a concertina production company which is as famous, among the concertina playing fraternity, as the Wheatstone, and its concertinas just as in demand. This is a 46 key Duet version of the English concertina for which you have to learn different fingering positions.
The Duet was invented to try to simplify playing for some people.
John nickolds to the melodeon proved ideal. Game play there’s a jeffries concertinas made. Variousitem condition: interested in when it at the same.
Hi everyone. Im trying to date my lachenal () but I cant find the database of serial numbers anywhere. Please could someone point me in.
The Anglo or Anglo-German concertina is a member of the concertina family of free-reed instruments. The Anglo originated as a hybrid between the English and German concertinas. The button layouts are generally the same as the original button German concertinas designed by Carl Friedrich Uhlig in Within a few years of that date, the German concertina was a popular import in England, Ireland, and North America, due to its ease of use and relatively low price.
English manufacturers responded to this popularity by offering their own versions using traditional English methods: concertina reeds instead of long-plate reeds, independent pivots for each button, and hexagon-shaped ends. Initially the term Anglo-German only applied to concertinas of this type built in England, but as German manufacturers adopted some of these techniques, the term came to apply to all concertinas that used Uhlig’s button system.
The heart of the Anglo system consists of two button rows, each of which produces a diatonic major scale in a pattern devised around by Bohemian designer Joseph Richter for use in a harmonica Richter tuning. Five buttons of each row are on each side. The two rows are musically a fifth apart. For example, if the row closest to the player’s wrist is in the key of G, the next outer row is in the key of C below. An advantage of the Richter tuning is that pressing three adjacent notes in one row produces a major triad.
These studies on the very earliest Wheatstone concertinas indicate that the evolution of the basic design of his key ‘English’ system model had been completed by around to , when it was finally fully described and patented in Wheatstone’s specification. The layout of buttons, the arrangement of reeds and reed pans, levers and pallets, and the method of construction of the ends, action boards, pans and bellows henceforth changed little over the next century.
The Wheatstone factory production ledgers record instruments with solid gold buttons and fittings being produced to special order at seventy guineas, and in , the only known ivory-ended instrument was produced, again to special order. However, the Wheatstone firm and their many imitators and competitors soon began to produce variants and ‘improvements’ to the basic ‘English’ design, to say nothing of dozens of new systems and compasses of anglo and duet concertinas, examples of most of which are now in the Concertina Museum Collection.
The survey below lists the many changes to Wheatstone’s initial design and indicates how the combined influences of both fashion and genuine technological improvement led to the many changes in the original design of the concertina. One of the last ‘early’ design features to be finally superseded in the development of the basic English concertina was the use of square-ended reed beds, which ceased to be used from instrument no , sold in February
They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as (Dating of Lachenal Concertinas).
This Charles Jeffries never knew a thing, never been taught anything— most extraordinary, as he turned out an instrument that no other maker could equal. He used the hardest steel there was, very solid. As far as we know, Charles Jeffries had no technical training and was never employed by any of the previously established concertina makers; 2 yet he somehow managed to produce concertinas that are widely regarded as among the best ever made.
Jefferys, Parade Street, Paddington, W. Today, the instruments made by Charles Jeffries command some of the greatest interest and highest prices of any vintage concertinas. Serial numbers would be most valuable for approximating the date of manufacture of the individual instruments and for estimating the total production of Jeffries concertinas. Numbers abound inside the Jeffries concertinas. However, these consist of one, two, or three digits that are either handwritten pencil or ink or stamped on the reed pan, underside of the action board, or upper inside edge of the bellows or that are etched into the underside of the metal fretwork see Appendix 1.
We have been unable to determine if a particular number is a model number, batch number for a production run, or a number that was the handiwork of an owner or repairer of the instrument.